February 2027 events calendar for Los Angeles

Right in time for Halloween season, the Academy Museum seeks to answer the question “Why do horror films matter so deeply to so many?” in this immersive look at the genre whose cultural cachet is always increasing. Knowingly employing horror tropes and exploring the lasting appeal of scary movies, the show is divided into six subcategories of horror—gothic, psychological, science, slasher, religion and ghosts. Expect re-creations of iconic settings where visitors will encounter creatures, monsters and objects from their favorite horror flicks and, in typical Academy fashion, a behind-the-scenes look at the storytelling and production processes of films from the original Frankenstein to The Shining to Get Out. After revisiting nearly every horror title (and slasher mask) you can think of, there’s only one way out of the exhibition—and it drops you into the middle of your own scary movie. At the end of a long hallway, you’ll find the Blood Room, a disconcertingly realistic re-creation of a slasher’s crime scene, with fake blood covering the walls and pooling onto the floor. The show is sure to be a huge hit with horror aficionados. And if you’re a horror hater? Well, according to Academy Museum President Amy Homma, you just haven’t found your horror yet. By splitting the genre into six wide-ranging categories, the exhibition shows that what qualifies as a horror movie isn’t one-size-fits-all. So if you, say, can’t handle anything with a ghost (guilty), you might be drawn...

Admire suspended sheets of textiles—including the metallic ones that would be incorporated into the curtains at the new David Geffen Galleries—along with colorful sketches and a recreation of Tokyo store NUNO at LACMA’s showcase of pioneering textile designer Reiko Sudō.

“Somehow it’s a happier ending than I thought it would be—it felt so bleak,” Tacita Dean says of crafting this tribute to the then-fading format of analog film back in 2011. But now in the year of The Odyssey, Dean’s commission for the Tate Modern—restaged here at the Marciano Art Foundation’s cavernous theater gallery—feels like a triumphant touting of film’s resurgence: An 11-minute-long collage (all of the cutouts were achieved in camera) plays out on a vertically-oriented reel of 35mm film. Make sure to head up to the mezzanine viewpoint to peek into the projection booth. The show coincides with Pierre Leguillon’s selection of old advertisements that feature prominent artists promoting commercial brands, with presentations created for both the ground-floor library and the second-floor gallery.

It doesn’t matter if you win by an inch or a mile—or if you’re more of a fan of the street racing and respect era or heists and hackers phase of Fast & Furious: There’s plenty of familiar motorized might to behold at this Petersen Automotive Museum exhibition honoring the high-adrenaline film franchise. You’ll find roughly 20 screen-used cars and production prototypes—including ones on loan from Vin Diesel’s private collection, as well as from the late Paul Walker—on display in the second floor of the Miracle Mile museum. It’s a very Fast & Furious kind of year in L.A. between Universal Studios’ roller coaster and this 25th anniversary exhibition. While the Petersen’s exhibition is certainly encyclopedic (the selections here span the entirety of the franchise, with a particular focus on the first three films), it’s not overly academic: Brief labels will let you know the story behind the stunt car you’re staring at, but this is ultimately an opportunity to ogle American muscle cars and custom Japanese imports (as well as the franchise’s melodramatic quotes about family). Highlights on display include the 1993 Toyota Supra “Stunt #3” and 1995 Mitsubishi Eclipse driven by Brian O’Conner (Paul Walker) in the original film, Dominic Toretto’s (Vin Diesel) 1968 Dodge Charger R/T and 1993 Mazda RX-7, and Suki’s (Devon Aoki) very pink 2001 Honda S2000.

The Skirball’s Jack Kirby exhibition may be over, but the museum has followed it up with this expansive look at how comics came to dominate pop culture. Many of the creators of the medium were immigrants and outsiders—including Jewish Americans—who poured their experiences with struggle, aspiration and reinvention into their work. From the Great Depression through Y2K, comics reflected the national moment and in the process actually helped shape American identity. On display, you’ll find original artwork and artifacts relating to beloved comic book characters, from superheroes like Superman and Black Panther to comedic classics like Little Lulu, Archie and Alfred E. Neuman. The exhibition does a great job of tracing the entire history of the medium in an accessible and engaging way, and should satisfy both comic book lovers and history buffs alike.

Following the wildly successful first edition of her Daisy Chain Fields music festival, Olivia Rodrigo is stepping into the spotlight at the Grammy Museum, where a new two-part exhibition is devoted to the pop star. Running through February 22, 2027, “Olivia Rodrigo: the cure unraveled” features an exclusive look at the handcrafted hospital sets, costumes, props, stop-motion animatronics and original artwork from the singer’s music video for single “the cure.” Meanwhile, “note by note,” the second installment, which opens September 25, offers a journey through the prolific singer’s career so far, with outfits and accessories spanning all three of her album cycles and two world tours, plus items fresh from the Daisy Chain Fields grounds.

This show aims to give Black queer culture in California—particularly in Los Angeles—the credit it’s due as a part of the decades-long fight for LGBTQ+ rights and recognition. Through historical materials, photographs, film and vintage newspapers, the exhibition recovers a history that’s been largely excluded from the record, introducing visitors to sites, protagonists and allies who played a role in the fight for democracy and free expression. 

Do you get a little thrill every time you go to the Beverly Hills Hotel? You have architect Paul R. Williams to thank, even if you might not know the name. This exhibition at the USC Fisher Museum of Art aims to fix that. “Paul R. Williams: An Architect Considered” specifically spotlights the visionary architect’s multifamily housing projects through original drawings, photographs and plans, juxtaposed with new commissions by contemporary artists and architects. The message is clear: Williams didn’t just shape Los Angeles; he imagined a more livable version of it, one gorgeous building at a time. Complementary Williams exhibitions at LACMA and the Getty Center will open later in the year.

Just in time for silver screen starlet Marilyn Monroe’s 100th birthday, the Academy Museum is presenting a centennial celebration dedicated to the woman and her work, offering a look at the actress beyond her blond bombshell persona. In addition to posters, portraits, letters and rarely seen personal items—including decor from Monroe’s Brentwood home and the star’s makeup products—highlights from the exhibition include screen-worn costumes. Particularly noteworthy are the scandalous-at-the-time beaded dresses from Some Like It Hot and the rarely exhibited famous pink dress Monroe wore in Gentlemen Prefer Blondes—which is a show-stopper in a glitzy room of its own. Tucked into the back corner of the galleries, you can watch a compilation of the star’s onscreen work in CinemaScope—including the iconic subway grate scene. As a whole, the show provides a thoughtful look at Norma Jeane Baker’s transformation into Marilyn Monroe, her trials and tribulations, and why her star will never fade.

“Let’s hang out at the Pier” is something Santa Monica locals probably say next to never, but this monthly series is trying to change that. Every third Thursday from September to May, you’ll find everything from live music to storytelling to a classic car show on the Santa Monica Pier, all free to attend.