Installation view of 65,000 Years: A Short History of Australian Art.
Photograph: Christian Capurro

Potter Museum of Art

The Potter is one of Australia's leading university art collections
  • Art | Galleries
  • Carlton
Maya Skidmore
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Time Out says

The Potter has been at the forefront of the Australian art scene for over fifty years. Opened in 1972, and undergoing an extensive renovation between 2018 and 2024, The Potter has just freshly reopened to the public in 2025, and it's looking pretty good.

One of the imprtant homes of the University of Melbourne's vast art collection, The Potter is located in a building on Swanston Street in Carlton, and is home to an impressive, 18,000 strong collection of First Nations, modern Australian and international art and historical artefacts.

This new-and-improved iteration of the gallery continues to hold onto its established status as one of Australia's leading art collections. In 2025, it is home to a continuing roladex of exhibitions, public programs and arts fellowships that are aimed at elevating the work of artists, curators and students at the University of Melbourne, and far beyond. 

Admission is free.  

Details

Address
800 Swanston St
Carlton
Melbourne
3010
Price:
Free
Opening hours:
Tuesday-Saturday: 11am-5pm

What’s on

A velvet ant, a flower and a bird

Step into a garden of ideas at the Potter Museum of Art, where three familiar figures from nature – a velvet ant, a flower and a bird – will encourage you to rethink what intelligence really means.  A velvet ant, a flower, and a bird is a new exhibition curated by the internationally renowned curator Chus Martínez that draws on works from the University of Melbourne's art, biology and classics collections, alongside contemporary commissions and performances, to propose a radical rethinking of how knowledge is made and distributed across species and materials.  Structured around the velvet ant, the flower and the bird, each 'being' carries a symbolism: the velvet ant, inspired by recent scientific research into its light-absorbing body, represents radical adaptation and material intelligence; the flower is there to embody renewal and creative transformation; and the bird, drawing on studies of flocking behaviour, points to the power of collective intelligence. Historic artefacts and contemporary artworks sit side by side, forgoing the usual exhibition hierarchies between disciplines, objects and media. Visitors to the exhibit will move through an environment and let their imagination take the lead. Rather than presenting knowledge as fixed or linear, Martínez invites audiences to think relationally – to consider intelligence as something shared across living systems, environments and technologies. The exhibition features work by a wide-ranging group of Australian and...
  • Exhibitions
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