The best things to do in Sydney in September

A celebration of all things Suntory has transformed the basement of Sakura House into Suntory House – where drinks from across Japan and the world are front and centre until October 3, 2026. Suntory is one of the biggest names in the global drinks industry, and you’ll be able to order any one of their crowd favourites alongside Japanese-style share plates at this limited-time residency in this top CBD bar. Suntory House is broadly inspired by the Japanese concept of nomikai: informal, communal after-work drinks. Expect spirits, RTDs, cocktails (especially highballs) and beer on tap alongside a food menu inspired by konbinis and izakayas – think chicken karaage, Balmain bug katsu sandwiches, aburi salmon handrolls and more. If you’re into your spirits, you’ve probably sampled Suntory-owned labels like Roku Gin, Toki Whisky, Haku Vodka, Laphroaig and Jim Beam. And if you prefer your drinks carbonated, it’s unlikely you’ve never tasted a -196 RTD or a crisp Japanese beer like Suntory The Premium Malt’s. Suntory House is open daily from 5pm, but Wednesday visitors will be treated to Hi-Kara Wednesdays presented by Suntory “Kabukin” Whisky. As part of this promotion, you can order a Suntory Kabukin Whisky Highball with chicken karaage for just $25. It’s all on offer for a limited time only – you have less than a month to visit and see it firsthand. Suntory House is taking place inside Sakura House daily from 5pm until October 3, 2026, walk-ins only. For more information, visit...

Wondering what to do with the kids during the spring school holidays? The Sydney Opera House has got you covered with its first-ever Wild Things International Kids Festival. Running for 16 days from September 26 until October 11, this festival turns the Opera House into a creative playground, with performances, workshops, installations and activities for all kids from toddlers to teens.  Out on the Forecourt, families can enjoy free performances, giant interactive installations and roaming puppeteers. Venture inside to catch shows for different age groups from Australia and around the world. And with every performance priced at $49 or less, it’s a fun thing to add to your school holiday calendar. Shows to watch ZOOOM September 26–29 at Playhouse; Age: 4+ Patch Theatre takes kids on an imaginative journey through the universe, inspired by the beloved Harold and the Purple Crayon. We Come From Far, Far Away October 3–7 at The Studio; Age: 10+ Abdallah shares his story of life, travel and growing up, inspired by the real journeys of young refugees and performed inside a Mongolian yurt. Tinker Tales!October 3–5 at Playhouse; Age: 6+ Three performers build, dance and create on a giant building site, where things quickly spiral into wonderfully chaotic fun. Grand Soft Day October 8–11 at Playhouse; Age: 2–6 Three friends head into the woods, but the weather has other plans. Expect movement, music and a charming mix of English, Irish and Italian. Free Events in the Forecourt ...

The Sydney Fringe Festival is back for another year, taking over Moore Park’s Entertainment Quarter from August 26 to October 11. This year’s line-up is stacked, and will see the return of the Fool’s Paradise hub alongside a dedicated Fringe Kids program. For acrobatics, comedy, cabaret, live music and burlesque, head straight to Fool’s Paradise. Spanning two dedicated venues, ‘The Virago’ and ‘The Bunker’, this year’s festivities are curated by the award-winning team at Head First Acrobats. Expect edge-of-your-seat stuff, with performances – day and night – that are guaranteed to get your adrenaline pumping (all from the safety of your seat). Got little ones in tow? The Fringe Kids program takes over the precinct for two weeks during the school break, with a line-up of music, magic, giant bubbles, hands-on science and circus acts. With highlights like All Star Circus and the Flying Bubble Show, and tickets starting at just $12, consider your kids' holiday boredom cured. With the entire seven-week line-up consolidated into one hub, you can catch a show, grab a bite to eat and soak up all the Fringe vibes without even having to rack up a massive step count. Refuel at the Fool’s Paradise bar with signature cocktails and snacks, or explore the many restaurants, cafes, markets and pop-up food stalls around the precinct.Performance times and ticket prices vary by show. To explore the full program, check session times and secure tickets, visit the Sydney Fringe Festival website.

Spend a leisurely Sunday morning in France without the jet lag at these fabulous French markets at Sydney's Entertainment Quarter in Moore Park. Le Marché French Market – on the first Sunday of every month – offers authentic French cuisine, culture and craftmanship, with free entry. While there are 45 stalls offering up everything from authentic French food to delicious produce for home, plus French homewares, fashion and gifts, this isn't just a market – it's a curated cultural experience, complete with music and dance, that'll help you feel like you've been transported to Paris. Start your morning in Le Marché’s culinary corner – fill your reusable baskets with farm-fresh eggs, truffles, saucisson, duck confit and of course, all the French cheeses your heart desires. Thirsty? Take a detour to sample fine French wines and locally brewed gin, or skip straight to the Champagne for a bubbly start to your day.  Experience the lively spirit of a French village market by chatting with Le Marché’s passionate line-up of artisans selling striped Breton t-shirts, colourful berets, linen tablecloths, straw baskets and more. Take a leisurely browse through the stalls, and when it's time to refuel, hit up the hot food stalls serving everything from buttery escargots and boeuf bourguignon to raclette and truffle-infused rotisserie chicken. Seal the deal on your market rendezvous with a flaky croissant, creamy eclair or delicate choux bun. Sunday morning, sorted – oui oui. Find out...

A sawfish swimming alongside a sea turtle in the Pilbara. Royal penguins stopped in their tracks by an enormous elephant seal. A Tassie devil fighting for survival. A whimbrel racing an incoming wave with a freshly caught crab in its beak. Flame-like patterns formed by the tides across a Western Australian sandbank. It’s true what they say: a picture definitely does speak a thousand words. Opening at the Australian Museum on September 12, the 2026 Australian Geographic Nature Photographer of the Year exhibition brings you face-to-face with some of the most extraordinary moments in the natural world. From wildlife encounters to otherworldly landscapes, these photographs offer a rare glimpse into the beauty and fragility of nature in our region. This free exhibition, produced by the South Australian Museum, showcases the finest images selected from 2,129 entries by 501 photographers across 17 countries. Spanning Australia, New Zealand, Antarctica and New Guinea, the photographs take in everything from critically endangered species and dramatic animal encounters to patterns and textures of the natural landscape. Western Australian photographer Matt Deakin has been named the 2026 Australian Geographic Nature Photographer of the Year for Ethereal Encounter. His mesmerising aerial photograph captures a critically endangered green sawfish moving towards a group of green turtles in the shallow waters of the Pilbara. Shot in the last light of the day, the milky water gives the...

A friend who recently returned from Tasmania's Dark Mofo told me it was her mission to "find the Dark Mofo every day" here in Sydney, and I had to admit it was a pretty good strategy for living well. Tracking down offbeat arts on any given day in the Harbour City generally takes a bit of digging, but during Sydney Fringe, it’s served up on a silver platter. NSW's biggest celebration of independent arts is landing back in Sydney this spring, and I know we say this every year, but seriously – this year's program is bigger than ever. From August through October, Sydney Fringe Festival will transform theatres, warehouses, heritage buildings and public spaces across the city with more than 350 events featuring 2,000-plus artists at 64 venues. From delightfully boundary-pushing theatre to wildly impressive circus acts, conversation-shaping comedy and full-throttle parties, this year's line-up is stacked with shows and events that are pretty much guaranteed to fill your cultural cup, no Tassie trip required. The festivities kick off with Fringe Ignite! on Saturday, August 29, when Darlinghurst's Stanley Street will be closed to traffic and transformed into a free, all-ages street party. Expect live music, roaming performers and plenty of food as one of Sydney's fave inner-city streets comes alive for one wild afternoon and evening. Arts-wise, there's way more on than we can cover in one listing. Among this year's biggest drawcards is Copa on The Rocks, where Andrew Bukenya will...

Regent's Park Open Air Theatre in London has become a home for staggering visuals and reimaginings of classic musicals. The most recent touring production of Jesus Christ Superstar arrived with rave reviews and award-winning performances from its electrifying revival of the rock musical. Now, Fiddler on the Roof gets its turn for a facelift at Theatre Royal Sydney, with a backing from a stellar team whose work covers Olivier and Tony Award-winning productions.  What is the premise of Fiddler on the Roof? It’s 1905 in the fictional shtetl of Anatevka set in Tsarist Russia, twelve years before the Russian Revolution of 1917. A ghostly rise of the curtain sees Ben Adler’s Fiddler on a flat-roofed stage, the name of the village faces backwards towards the band sitting behind a high row of wheat fields. Tevye, a Jewish milkman, leads his family by their proud traditions. This means a loyal wife, visits to the matchmaker, five obedient daughters, and daily conversations with God. But this is a time of change, his daughters wish to break away from the closed community’s traditions amidst the backdrop of a changing world.  Throughout, we see more than just Tevye’s family dynamics needing to grapple with forces far greater than Anatevka can withstand.  Who are the cast and crew of Fiddler on the Roof? Jordan Fein’s direction gives ample scope for spectacle, particularly when Julian Cheng’s choreography is placed front and centre – the high-energy traditional dances are the show’s...

The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...

Theatregoers, ballet fans and lovers of all things gothic, there’s a union of all your interests out there, and it’s making a bloody return to Sydney this September and November. Dracula: Ballet at its Darkest takes the centuries-old story of the world’s most famous vampire and turns it into a tragedy told through dance. The Australian-made BIG Live production has played sold-out seasons in London’s West End, Edinburgh, San Francisco and Singapore, breaking the all-time record for the largest attended single production of Australian-made ballet. But it’s back on familiar hunting grounds now, and will spread its tale of dark romance and bloodlust, thanks to acclaimed performances by an alumni cast. That starring cast includes returning performers Ervin Zagidullin as Dracula and Abbey Hansen as Mina Harker, supported by renowned guest artist Adamzhan Bakhtiyar as Dracula in select performances. They’re choreographed by BIG Live Co-Founder Joel Burke, who, with Dracula, wanted to create a ballet that could be enjoyed by veteran and newcomer audiences alike. And as for the music, core to any ballet show, Dracula is scored by the Emmy Award-winning composer Jason Fernandez, and features classical works from maestros like Bach, Rachmaninov, Mozart, Mendelssohn and Debussy.  Expect fiery passion, bared teeth, captivating physicality and the kind of gothic grandeur that only Dracula himself could conjure. A strictly limited season will play at the State Theatre from September...

We all know that politics is a greasy machine where idealism goes to die. A hot new frontrunner for a local electorate seat can hold the bright-eyed hope of youth, while a hard-edged minister eroded by the gravity of office just wants to get the day done so they can head to the nearest bar.  Emily Steel’s Housework aims high, wanting to cover the vast range of staffers of every rank who keep our democracy running – from hopeful interns through to the highest seat in office. Where she lands is often predictable and all-too-familiar territory. The result is an Australian version of House of Cards, but with a lot less blood and a lot more pastries. What is the plot of Housework? First-term MP of a marginal seat in Sydney, Ruth Mandour (Susie Youssef), won her campaign on first-hand experience and relatable candour as a nurse during the Covid-19 pandemic. However, her hard-working Chief of Staff Anna (Emily Taheny) is the real backbone of the successful campaign. With Media Advisor Ben (Laurence Boxhall) and the preppy new junior staffer Kelly (Franca Lafosse) rounding out her team, their task is to keep the energy from Ruth’s win all the way through to the nation’s capital. After a negative Covid test sees Ben replaced by Kelly on a trip to Canberra, Anna uses her previous – possibly intimate – relationship with the Minister for Science, Paul (Johnny Nasser) to help get Ruth’s women’s health bill to cabinet. But Paul’s eyes linger elsewhere as an all-too-familiar scandal...